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Todano piece 1 David Bergeaud Ratchet & Clank: Going Commando soundtrack Tabbed by Tiku-Orava. This tab includes all guitar parts of the piece except for one, extremely low-volume guitar fill riff at the end of the piece. Played in standard tuning. ----------------------------------------------------------------------- Intro - 0:07 (Use clean channel with delay, reverb and a bit of tremolo effects to achieve the right tone) |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |1-1-1-1-1-1-1-1-|2-2-2-2-2-2-4-4-|1-1-1-1-1-1-1-1-|2-2-2-5-5-3-3-2-| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |1-1-1-1-1-1-1-1-|2-2-2-2-2-4-4-4-|1-1-1-1-1-1-1-1-|2-2-5-5-4-4-2-2-| Main Riff (2x) |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----3-3-2-2-----|----------------|----3-3-2-2-----|----------------| |1-1---------1-1-|2-2-2-2-2-4-4-2-|1-1---------1-1-|2-2-2-4-4-5-5-4-| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----3-3-2-2-----|----------------|----3-3-2-2-----|----------------| |1-1---------1-1-|2-2-2-2-2-4-4-2-|1-1---------1-1-|2-2-2-5-5-4-4-2-| Break* - O:49 (Played with very low amount of distortion and very light palm muting) |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|3/4-4/6-6/4-4/3-| |1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|1/2-2/4-4/2-2/1-| . . . . . . . . . . . . . |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|4---------------| |1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|2---------------| . . . . . . . . . . . . . |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|3/4-4/6-6/4-4/3-| |1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|1/2-2/4-4/2-2/1-| . . . . . . . . . . . . . |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |----------------|----------------|----------------|----------------| |3-3-3-3-3-3-3-3-|4-4-4-4-4-4-4-4-|3-3-3-3-3-3-3-3-|3/4-4/6-6/4-4/3-| |1-1-1-1-1-1-1-1-|2-2-2-2-2-2-2-2-|1-1-1-1-1-1-1-1-|1/2-2/4-4/2-2/1-| . . . . . . . . . . . . *This part is almost impossible to hear 100% correctly because of the low volume combined with some distortion effects and mixing. http://www.musipolis.com/
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