Fast Forward To 2012 bass

Fast Forward To 2012

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

FAST FORWARD TO 2012 (Bassline)
As recorded by A Day To Remember
(From the 2007 Album FOR THOSE WHO HAVE HEART)

Transcribed by jonathanonfire
	

Words and Music by A Day To Remember
Arranged by A Day To Remember

Gtr I (C G C F) - 'Bass'

   "We welcome you to.."
    Pop-Mosh Q=180
   4/4
    Gtr I
    E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E
||----------------|---------------|---------------|----------------|
||o---------------|---------------|---------------|----------------|
||o---------------|---------------|---------------|----------------|
||--8-8--8-8-8--8-|-8-8--8-8-8--8-|-5-5--5-5-5--5-|-5-5--5-5-5--5--|


  E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|---------------|---------------|---------------|----------------||
|---------------|---------------|---------------|---------------o||
|---------------|---------------|---------------|---------------o||
|-0-0--0-0-0--0-|-0-0--0-0-0--0-|-3-3--3-3-3--3-|-3-3--3-3-3--3--||


 "We'll keep this short.."
  W          +W           W          E. E. E. E. Q
|----------|------------|----------|----------------||
|----------|------------|----------|----------------||
|----------|------------|----------|----------------||
|-5--------|-(5)--------|-8--------|-5--5--5--5-----||


 "My friends come first.."
  Slower Q=150
  W          +W           W          +W
|----------|------------|----------|--------|
|----------|------------|----------|--------|
|----------|------------|----------|--------|
|-0--------|-(0)--------|-0--------|-(0)----|


  W          +W           Q  E E E E E E    W        a
|----------|------------|----------------|-------------||
|----------|------------|----------------|-------------||
|----------|------------|----------------|-------------||
|-0--------|-(0)--------|-0--0-0-0-0-0-0-|-12s=======0-||


 "That's the bottom line."
  Q  E E Q  E E   E E E E E E E E   +Q   E E Q  E E   E E E E E E E E
|---------------|-----------------|-----------------|-----------------|
|---------------|-----------------|-----------------|-----------------|
|----3-3-5----1-|-1-1-1-----------|------3-5-5----1-|-1-1-1-----------|
|-0---------0---|-------0-3-5-3-0-|-(0)---------0---|-------0-0-0-0-0-|


  +Q   E E Q  E E   E E E E E E E E   +Q   E E Q  E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|------3-3-5----1-|-1-1-1-----------|------3-5-5----1-|-1-1-1-----------|
|-(0)---------0---|-------0-3-5-3-0-|-(0)---------0---|-------0-0-0-0-0-|


  W          +W           +W           +W
|----------|------------|------------|--------|
|----------|------------|------------|--------|
|----------|------------|------------|--------|
|-0--------|-(0)--------|-(0)--------|-(0)----|


  E E E Q  S S S S S S   E Q.   S S S S E E   E E E Q  S S S S S S   E H..
|----------------------|--------------------|----------------------|----------||
|----------------------|--------------------|----------------------|----------||
|----------------------|--------------------|----------------------|----------||
|-0-0-0----0-0-0-0-0-0-|-0------0-0-0-0-0---|-0-0-0----0-0-0-0-0-0-|-0--------||


 Breakdown Outro
  E E Q.   S S S S S S   H    S S S S Q
|----------------------|-----------------|
|----------------------|-----------------|
|----------------------|-----------------|
|-0-0-0----0-0-0-0-0-0-|-0----0-0-0-0-0--|


  E E Q.   S S S S S S   H    S S S S Q
|----------------------|-------------------|
|----------------------|-------------------|
|----------------------|-------------------|
|-0-0-0----0-0-0-0-0-0-|-0----0-0-0-0-0----|


  E E Q.   S S S S S S   H    S S S S Q
|----------------------|-----------------|
|----------------------|-----------------|
|----------------------|-----------------|
|-0-0-0----0-0-0-0-0-0-|-0----0-0-0-0-0--|


  E E Q.   S S S S S S   H    S S S S E E
|----------------------|--------------------|
|----------------------|--------------------|
|----------------------|--------------------|
|-0-0-0----0-0-0-0-0-0-|-0----0-0-0-0-0-----|


  E E E Q  S S S S S S   E Q.   S S S S E E
|----------------------|--------------------|
|----------------------|--------------------|
|----------------------|--------------------|
|-0-0-0----0-0-0-0-0-0-|-0------0-0-0-0-0---|


  E E E Q  S S S S S S   E Q.   S S S S E E
|----------------------|----------------------|
|----------------------|----------------------|
|----------------------|----------------------|
|-0-0-0----0-0-0-0-0-0-|-0------0-0-0-0-0-----|


  E E E Q  S S S S S S   E Q.   S S S S E E   E E E Q  S S S S S S   E H..
|----------------------|--------------------|----------------------|----------*|
|----------------------|--------------------|----------------------|----------*|
|----------------------|--------------------|----------------------|----------*|
|-0-0-0----0-0-0-0-0-0-|-0------0-0-0-0-0---|-0-0-0----0-0-0-0-0-0-|-0--------*|



Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
n  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site

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