None of them
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NO THOUGHTS - Cloud Nothings
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Tabbed by: Roy T. (Vaudevillain)
Email: [email protected]
Tuning: Standard (E A G D B E)
----
(INTRO:)
...
D5 C5 A#5
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|--7-------5--------3-------------------------------------------| x2
D|--x--(x8)-x--(x8)--x--(x16)------------------------------------|
A|--5-------3--------1-------------------------------------------|
E|---------------------------------------------------------------|
(VERSES:)
"It's hard enough in a generation..."
A#5 D5 C5
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|--3-------7--------5-------------------------------------------| x4
D|--3-(x16)-7--(x8)--5--(x8)-------------------------------------|
A|--1-------5--------3-------------------------------------------|
E|---------------------------------------------------------------|
(CHORUS:)
Guitar 1:
"You don't really seem to care and..."
A#5 F5 C5
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|--3----------------5-------------------------------------------| x2
D|--3-(x16)-3--(x8)--5--(x8)-------------------------------------|
A|--1-------3--------3-------------------------------------------|
E|----------1----------------------------------------------------|
Guitar 2:
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|-------10------------------------------------------------------| x2
D|----10----10-------10------------------------------------------|
A|--8-------------10----10---------------------------------------|
E|--------------8------------------------------------------------|
Then:
Guitar 1:
"You don't really seem to care and..."
A#5 D5 C5
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|--3-------7--------5-------------------------------------------| x2
D|--3-(x16)-7--(x8)--5--(x8)-------------------------------------|
A|--1-------5--------3-------------------------------------------|
E|---------------------------------------------------------------|
Guitar 2:
A#5 D5 C5
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|--3-------7--------5-------------------------------------------| x2
D|--x-(x16)-x--(x8)--x--(x8)-------------------------------------|
A|--1-------5--------3-------------------------------------------|
E|---------------------------------------------------------------|
(BREAK:)
Guitar 1:
"Now..."
PALM-MUTED, slowly released
A#5 D5 C5
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|--3-------7--------5-------------------------------------------| x1
D|--3-(x32)-7--(x8)--5--(x8)-------------------------------------|
A|--1-------5--------3-------------------------------------------|
E|---------------------------------------------------------------|
Then:
A#5 D5 C5
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|--3-------7--------5-------------------------------------------| x1
D|--3-(x16)-7--(x8)--5--(x8)-------------------------------------|
A|--1-------5--------3-------------------------------------------|
E|---------------------------------------------------------------|
Guitar 2:
Guitar 2 adds some fills throughout the break, but also during the rest of the song, such as:
e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|-------7-----7---7------7-----7---7--5--------3----------------|
D|-------------------------------------x--(x8)--x--(x8)----------|
A|--5-5----5-5---5----5-5---5-5---5----3--------1----------------|
E|---------------------------------------------------------------|
And some variations to this riff.
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That about rounds up my interpretation. Enjoy!
-V
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