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E-|---Author:-Etudio V: Opus.35 No.22--------------| B-|---Transcription-by:Christian Liang-------------| G-|---E-Mail:[email protected]| D-|---http://www.classclef.com---------------------| A-|------------------------------------------------| E-|---Enjoy!---------------------------------------| Op 35 No 22 in Bm (Segovia Study No 5) - Fernando Sor (1778-1839) Grade 4- Late Intermediate 1Bm F#7 Bm/F# II II E|-------------|-2-------2---|-0-------0---|-------------| B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---| G|---4---4---4-|-------------|-------------|---4---4---4-| D|-----4-------|-----4-------|-----4-------|-----4-------| A|-2-----------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 2 4 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1 RH m i p i m i a m p m a m a m p m a m m i p i m i p 5F# Bm/F# Em/G F# II E|-------------|-------------|-0-------1---|-2-----------| B|-2-------2---|-3-------3---|---0---0---0-|---2---2-----| G|---3---3---3-|---4---4---4-|-----0-------|-----3-----3-| D|-----4-------|-----4-------|-------------|---------4---| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 4 2 1 2 2 4 3 4 2 4 1 1 1 2 1 4 2 RH m i p i m i m i p i m i m i p i m i a m i m p i 9Bm F#7 G II II E|-------------|-2-------2---|-0-------0---|-------------| B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---| G|---4---4---4-|-------------|-------------|---4---4---4-| D|-----4-------|-----4-------|-----4-------|-----5-------| A|-2-----------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 2 4 1 2 3 2 1 2 1 3 1 1 1 2 3 2 1 2 1 RH m i p i m i a m p m a m a m p m a m m i p i m i p 13A7/E Bm/F# F# Bm II II II E|-0-------0---|-------------|-------------|-------------| B|---2---2---2-|-3-------3---|-2-------2---|---3---------| G|-----0-------|---4---4---4-|---3---3---3-|-4-----4-----| D|---------2---|-----4-------|-----4-------|-----4-------| A|-------------|-------------|-------------|---------2---| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 2 1 2 2 4 3 4 2 4 1 2 4 2 1 2 4 2 4 3 1 RH a m i m a m m i p i m i m i p i m i m a i m p p 17Bm/F# F#7 Bm F# II II II E|-2-------2---|-0-------0---|-------------|-------------| B|---3---3---3-|---2---2---2-|-3-------3---|-2-------2---| G|-------------|-------------|---4---4---4-|---3---3---3-| D|-----4-------|-----4-------|-----4-------|-----4-------| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1 2 3 2 1 2 RH a m p m a m a m p m a m m i p i m i m i p i m i 21Bm/F# F#7 Bm F# II II II E|---------2---|-0-----------|-------------|---2---------| B|-3---------3-|---2-----2---|-3-------3---|-2-----2-----| G|---4---4-----|-------3---3-|---4---4---4-|-----3-------| D|-----4-------|-----4-------|-----4-------|---------4---| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 1 2 1 3 2 1 2 2 4 3 4 2 4 1 1 2 1 4 RH m i p i a m a m p i m i m i p i m i m a i a p 25B7 Em A7 D II II E|-------------|-0-----------|-------------|-------------| B|-4-------4---|---------0---|-2-------2---|-3-------3---| G|---2---2---2-|---0---0---0-|---0---0---0-|-------2---2-| D|-----4-------|-----2-------|-----2-------|-----4-------| A|-2-----------|-------------|-0-----------|---5---------| E|-------------|-0-----------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 4 1 3 1 4 1 3 3 1 2 2 4 3 1 2 1 1 RH m i p i m i a i p i m i m i p i m i a p i m a m p p p 29Am7/E E#dim7 F# II E|-------------|-3---0-------|-------------|-----------2-| B|-1-------1---|---------1---|-0-------0---|---------2---| G|---0---0---0-|---0---0---0-|---1---1---1-|-3-----3-----| D|-----2-------|-2---2---2---|-----0-------|-----4-------| A|-------------|-------------|-------------|---4---------| E|-0-----------|-------------|-1-----------|-2-----------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 1 4 2 1 1 2 2 2 2 3 4 2 1 1 2 2 1 RH m i p i m i a i a i m i m i p i m i m p p i m a p p p p p p 33Bm F#7 Bm/F# II II II E|-------------|-2-------2---|-0-------0---|-------------| B|-3-------3---|---3---3---3-|---2---2---2-|-3-------3---| G|---4---4---4-|-------------|-------------|---4---4---4-| D|-----4-------|-----4-------|-----4-------|-----4-------| A|-2-----------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 4 3 4 1 4 1 2 3 2 1 2 1 3 1 1 2 4 3 4 2 4 1 RH m i p i m i a m p m a m a m p m a m m i p i m i p 37F# Bm/F# Em/G F# II II II E|-------------|-------------|-0-------1---|-2-----------| B|-2-------2---|-3-------3---|---0---0---0-|-------2---2-| G|---3---3---3-|---4---4---4-|-----0-------|-----3-------| D|-----4-------|-----4-------|-------------|---4-----2---| A|-------------|-------------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 3 2 1 2 2 4 3 4 2 4 1 1 4 2 1 1 1 RH m i p i m i m i p i m i m i p i m i a p i m p m 41Bm/D C#7 F#7 G IV IV E|-2-------2---|-4-------4---|-6-------6---|-7-------7---| B|---3---3---3-|---6---6---6-|---5---5---5-|---0---0---0-| G|-----4-------|-----4-------|-----6-------|-----7-------| D|-0-----------|-------------|-4-----------|-5-----------| A|-------------|-4-----------|-------------|-------------| E|-------------|-------------|-------------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 1 2 3 2 1 2 1 4 1 4 1 4 4 2 3 2 4 2 4 3 4 1 1 1 RH m i p i m i m i p i m i m i p i m i m i p i m i p p p p 45A9/E Bm/F# F#7 Bm II II II E|-3-------3---|-2-------2---|-2-----------|-------------| B|---2---2---2-|---3---3---3-|---2---2-----|-----0-------| G|-----4-------|-----4-------|-----3-----3-|-----4-------| D|-2-----------|-4-----------|---------2---|-----0-------| A|-------------|-------------|-------------|-----2-------| E|-------------|-------------|-2-----------|-------------| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | LH 2 1 3 1 2 1 1 2 4 2 1 2 1 1 2 1 1 2 4 1 3 1 1 RH m i p i m i m i p i m i a m i m p i a,m,i,p p p Op 35 No 22 in Bm (Segovia Study No 5) - Fernando Sor (1778-1839) Grade 4- Late Intermediate Many Fernando Sor's songs are structure as Estudio or Study Exercises. The main goal of these "studies" is to provide memorable pieces and enhance the skill and knowledge of the practitioner. Andres Segovia selected a set of 20 of those studies, each emphasizing a particular aspect of technique, and these are now some of the best known of Sor's works. Opus 35. No22 is study 5 which deals with arpeggios. There are some Barred Chords here, mainly F# and Bm. The pluck pattern playing each note of the chord arpeggios is mostly (pim) with some variations. Suspend the bass (mostly F#) by using the thumb on a downstroke rather than an index on an upstroke. This gives it more power.
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